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Then in 1972, a wise and dear friend commented, “Susan, you are good at all of these things, wouldn’t it be wonderful if you became an expert in one medium.” At first, I was shocked! 

“No!” I exclaimed! “I love then all!” However the more I thought about it, the more it made sense… So, I picked the one medium that could hold my interest and challenge me for many years.  I became a professional watercolor artist, exhibiting in shows and galleries. At first I was painting animals and Native Americans. Little by little my subject matter expanded, so did my style.

Turn Around and He's Grown by Susan Blackwood 

I stayed with watercolors for 32 years, after all, watercolors was one medium that was darn hard to conquer. In 2003, I took up the self imposed challenge and inspiration of Oil painting. 

Starting a new medium was awkward and frustrating. "Why am I doing this"? I thought over and over as I struggled to mix the right color.

Among the Shadows by Susan Blackwood  24 x 36 oil

But, little by little my struggles got fewer and my successful strokes became more plentiful. Persistence, not talent, will win in the end. And so, my oils and my watercolors marched forward in my career.  Today I paint and teach both mediums.

Over the 32 years as a watercolorist, my tight style became looser as I flung my passion into the fluid and often ornery paint. This is also happening with my oils. In 2013, when I was still figuring out how to hold the oil painting brush. My goal was to get an object to look like the object... then as the paintings rolled off my brushes..... came the letting go of edges, adjusting the color harmonies, then the melting of values and then, using thicker paint.

Most watercolorists, as they transition from watercolors to oils, have the tendency to paint the oils very thin. Bingo, that was me, too!

Painting with thick paint was challenging. 

My career, style and mediums sure have changed over the years. Right now I am taking up the challenge presented by artist Keith Bond in his blog, to create "Risky" paintings... paintings that are way outside of my comfort zone, way outside of my typical subject matter, style and expression. These painting pull me to discover more about my self. They challenge me to push harder and climb higher. 

First Chair by Susan Blackwood OPA AIS 40x30 oil -

My risky painting 

Risky? Yes, for me it is risky. Thick palette knife in the light, thin paint in the shadows were my challenges and

colors altered from real life. The risk is that I might fail or no one will like it. But the risky is also that I will discover a whole new me in my painting!

I will continue to create safe and new paintings.... ones that are typical of my style and subject matter,

but every once in awhile... my risky side will slip out!

Thanks to Keith Bond.

Stay tuned, I now am experimenting with abstracts... "Risky" is exhilerating!.

Walk on the Edge!

Keep your brushes happy,

Take them out for exercise regularly and give them fresh paint!

Susan

Last video for now. This time it is about a little King Charles Spaniel named Odie, what a cutie. 

Odie 8 x 6 oil

After painting a series of little cats, it was fun to do a critter with long floppy ears and a big nose. Black is sometimes hard for painters to capture form. I just keep reminding myself that black is really made up of many colors. So go ahead and use some bluish black, reddish black and even greenish black. It is all there in black. When painting fur, I try to keep in mind the softness of the fur and paint it that way. But most of all, I try to capture the personality.  Be sure to turn up your volume button!

Click here to see the painting process for Odie

http://www.youtube.com/watch?v=L9aCPCGTTAg

 Click here for more about my new teaching video